A Woman In Berlin

A wartime journal by a reporter and editor living through the Russian occupation of Berlin includes her observations of resident survival in the face of starvation, no water, and freezing conditions; the mass rapes endured by the city's women; and the corruption of Berlin citizens by their Russian occupiers. Reprint. 35,000 first printing.

A wartime journal by a reporter and editor living through the Russian occupation of Berlin includes her observations of resident survival in the face of starvation, no water, and freezing conditions; the mass rapes endured by the city's women; and the corruption of Berlin citizens by their Russian occupiers. Reprint. 35,000 first printing.

A wartime journal by a reporter living through the Russian occupation of Berlin includes her observations of survival under harsh conditions; the mass rapes endured by the city's women; and the corruption of Berlin's citizens.

A New York Times Book Review Editors' Choice For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. "With bald honesty and brutal lyricism" (Elle), the anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. "Spare and unpredictable, minutely observed and utterly free of self-pity" (The Plain Dealer, Cleveland), A Woman in Berlin tells of the complex relationship between civilians and an occupying army and the shameful indignities to which women in a conquered city are always subject--the mass rape suffered by all, regardless of age or infirmity. A Woman in Berlin stands as "one of the essential books for understanding war and life" (A. S. Byatt, author of Possession).

By turns thrilling and terrifying, Underground in Berlin is the autobiographical account of a young Jewish woman who ripped off her yellow star and survived the war by going underground from 1942 to 1945. Berlin, 1941. Marie Jalowicz Simon, a 19-year-old Jewish woman, makes an extraordinary decision. All around her, Jews are being rounded up for deportation, forced labour and extermination. Marie decides to survive. She takes off the yellow star, turns her back on the Jewish community and vanishes into the city. In the years that follow, Marie lives under an assumed identity, moving between almost 20 different safe houses. She is forced to accept shelter wherever she can find it, and many of those she stays with expect services in return. She stays with foreign workers, committed communists and even convinced Nazis. Any false move might lead to arrest. Never certain who can be trusted and how far, it is her quick-witted determination and the most amazing and hair-raising strokes of luck that ensure her survival. Underground in Berlin is Marie's extraordinary story, told in her own voice with unflinching honesty, for the first time after more than 50 years of silence.

The soldiers who occupied Germany after the Second World War were not only liberators: they also brought with them a new threat, as women throughout the country became victims of sexual violence. In this disturbing and carefully researched book, the historian Miriam Gebhardt reveals for the first time the scale of this human tragedy, which continued long after the hostilities had ended. Discussion in recent years of the rape of German women committed at the end of the war has focused almost exclusively on the crimes committed by Soviet soldiers, but Gebhardt shows that this picture is misleading. Crimes were committed as much by the Western Allies - American, French and British - as by the members of the Red Army, and they occurred not only in Berlin but throughout Germany. Nor was the suffering limited to the immediate aftermath of the war. Gebhardt powerfully recounts how raped women continued to be the victims of doctors, who arbitrarily granted or refused abortions, welfare workers, who put pregnant women in homes, and wider society, which even today prefers to ignore these crimes. Crimes Unspoken is the first historical account to expose the true extent of sexual violence in Germany at the end of the war, offering valuable new insight into a key period of 20th century history.

SELECTED AS A BBC RADIO 4 BOOK OF THE WEEK Born and raised in America, Mildred Harnack was twenty-six when she enrolled in a PhD programme in Germany and witnessed the meteoric rise of the Nazi party. In 1932, she began holding secret meetings in her apartment – a small band of political activists that by 1940 had grown into the largest underground resistance group in Berlin. She recruited Germans into the resistance, helped Jews escape, plotted acts of sabotage and collaborated in writing leaflets that denounced Hitler and called for revolution. When the first shots of the Second World War were fired she became a spy, couriering top-secret intelligence to the Allies. On the eve of her escape to Sweden, she was ambushed by the Gestapo. During a hastily convened trial at the Reichskriegsgericht – the Reich Court-Martial – a panel of five judges sentenced her to six years at a prison camp, but Hitler overruled the decision and ordered her execution. On 16 February 1943, she was strapped to a guillotine and beheaded. Harnack’s great-great-niece Rebecca Donner draws on extensive archival research and newly discovered documents in her family archives in this astonishing work of nonfiction. Fusing elements of biography, political thriller and scholarly detective story, Donner brilliantly interweaves letters, diary entries, notes smuggled out of a Berlin prison, survivors’ testimony, and a trove of declassified intelligence documents into a powerful, epic story, reconstructing the moral courage of an enigmatic woman nearly erased by history.

The unforgettable story of one woman's struggle to survive persecution in wartime France ‘I loved my bookstore the way a woman loves, that is to say, truly’ In 1921, Françoise Frenkel – a Jewish woman from Poland – opens Berlin’s very first French bookshop. It is a dream come true. The bookshop attracts artists and diplomats, celebrities and poets – even the French ambassador himself. It brings Françoise peace, friendship and prosperity. Then one summer’s day in 1939, the dream ends. It ends after Kristallnacht, when Jewish shops and businesses are smashed to pieces. It ends when no one protests. So, just weeks before the war breaks out, Françoise flees to France. In Paris, on the wireless and in the newspapers, horror has made itself at home. When the city is bombed, Françoise seeks refuge in Nice, which is awash with refugees and terrible suffering. Children are torn from their parents; mothers throw themselves under buses. Horrified by what she sees, Françoise goes into hiding. She survives only because strangers risk their lives to protect her. Unfolding in Berlin, Paris and against the romantic landscapes of southern France, No Place to Lay One’s Head is a heartbreaking tale of human cruelty and unending kindness; of a woman whose lust for life refuses to leave her, even in her darkest hours. Very little is known about the life of Françoise Frenkel. She was born in Poland in 1889 and later studied and lived in Paris; in 1921 she set up the first French-language bookshop in Berlin with her husband. In 1939, she returned to Paris, and after the German invasion the following year fled south to Nice. After several years in hiding, she made a desperate attempt to cross the border to Switzerland. Frenkel died in Nice in 1975. Her memoir, originally published in Geneva in 1945, was rediscovered in a flea market in 2010, republished in the original French and is now being translated and published in numerous languages for the first time.

The Religious Identity of Young Muslim Women in Berlin offers an in-depth ethnographic account of Muslim youth’s religious identity formation and their everyday life engagement with Islam. It deals with the reconstruction of selfhood and the collective content of identity formation in an urban and transnational setting.

"Despina Stratigakos is assistant professor of architecture at the University at Buffalo, State University of New York."--BOOK JACKET.

This is a devastating book. It is matter-of-fact, makes no attempt to score political points, does not attempt to solicit sympathy for its protagonist and yet is among the most chilling indictments of war I have ever read. Everybody, in particular every woman ought to read it' - Arundhati Roy 'One of the most important personal accounts ever written about the effects of war and defeat' - Antony Beevor Between April 20th and June 22nd 1945 the anonymous author of A Woman in Berlin wrote about life within the falling city as it was sacked by the Russian Army. Fending off the boredom and deprivation of hiding, the author records her experiences, observations and meditations in this stark and vivid diary. Accounts of the bombing, the rapes, the rationing of food, and the overwhelming terror of death are rendered in the dispassionate, though determinedly optimistic prose of a woman fighting for survival amidst the horror and inhumanity of war. This diary was first published in America in 1954 in an English translation and in Britain in 1955. A German language edition was published five years later in Geneva and was met with tremendous controversy. In 2003, over forty years later, it was republished in Germany to critical acclaim - and more controversy. This diary has been unavailable since the 1960s and this is a new English translation. A Woman in Berlin is an astonishing and deeply affecting account.

"I have always had faith that the best writers will rise to the top, like cream, sooner or later, and will become exactly as well-known as they should be-their work talked about, quoted, taught, performed, filmed, set to music, anthologized. Perhaps, with the present collection, Lucia Berlin will begin to gain the attention she deserves." -Lydia Davis A MANUAL FOR CLEANING WOMEN compiles the best work of the legendary short-story writer Lucia Berlin. With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the Laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

Those Who Forget, published to international awards and acclaim, is journalist Géraldine Schwarz’s riveting account of her German and French grandparents’ lives during World War II, an in-depth history of Europe’s post-war reckoning with fascism, and an urgent appeal to remember as a defense against today’s rise of far-right nationalism. During World War II, Géraldine Schwarz’s German grandparents were neither heroes nor villains; they were merely Mitlaüfer—those who followed the current. Once the war ended, they wanted to bury the past under the wreckage of the Third Reich. Decades later, while delving through filing cabinets in the basement of their apartment building in Mannheim, Schwarz discovers that in 1938, her paternal grandfather Karl took advantage of Nazi policies to buy a business from a Jewish family for a low price. She finds letters from the only survivor of this family (all the others perished in Auschwitz), demanding reparations. But Karl Schwarz refused to acknowledge his responsibility. Géraldine starts to question the past: How guilty were her grandparents? What makes us complicit? On her mother’s side, she investigates the role of her French grandfather, a policeman in Vichy. Weaving together the threads of three generations of her family story with Europe’s process of post-war reckoning, Schwarz explores how millions were seduced by ideology, overcome by a fog of denial after the war, and, in Germany at least, eventually managed to transform collective guilt into democratic responsibility. She asks: How can nations learn from history? And she observes that countries that avoid confronting the past are especially vulnerable to extremism. Searing and unforgettable, Those Who Forget is a riveting memoir, an illuminating history, and an urgent call for remembering.

NEW YORK TIMES BESTSELLER Whom do you trust, whom do you love, and who can be saved? A gripping tale of Berlin in the Second World War, from the author of Annelies. It is 1943—the height of the Second World War. With the men away at the front, Berlin has become a city of women. On the surface, Sigrid Schröder is the model German soldier’s wife: She goes to work every day, does as much with her rations as she can, and dutifully cares for her meddling mother-in-law, all the while ignoring the horrific immoralities of the regime. But behind this façade is an entirely different Sigrid, a woman of passion who dreams of her former Jewish lover, now lost in the chaos of the war. But Sigrid is not the only one with secrets—she soon finds herself caught between what is right and what is wrong, and what falls somewhere in the shadows between the two . . .

Alix, arrogant, middle-aged and angry comes home to the derelict port of Liverpool as her mother lies dying. Irritably resigned to living alone for the rest of her life she suddenly finds herself erotically attracted to a stranger. Joseph is an American architect who has come to the city to build a hotel. Refusing to accept that his wife has left him or the trauma of a war he once fought in, the question is whether these survivors of the battles of the Seventies are meant for each other or not. And what happened to a factory in Dresden which long ago made the perfect face cream . . . 'Perhaps her most accessible novel to date ... Grant's prose is blunt, honest, yet often beautiful and bitingly funny. Equally comfortable discussing concepts of justice and grooming routinme, the voices Grant creates are striking and authentic. Her characters are irascible, witty, fierce, and full of the contradictions and blind spots that make them wholly human. This is a compelling and satisfying novel' Rachel Seiffert, author of The Dark Room