Kazimir Malevich

Kazimir Malevich
Author: Rainer Crone,David Moos
Publsiher: Reaktion Books
Total Pages: 230
Release: 1991
Genre: Art
ISBN: 0948462817

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Malevich's sudden and startling realization of a non-objective way of painting – which he termed Suprematism – stands as a seminal moment in the history of twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine and early years in Moscow – where he was closely involved in the Futurist circle – through to the late 1920s and beyond. The authors of this book convincingly demonstrate that it is only through a close and sustained reading of Malevich's late – and still widely misunderstood – painterly oeuvre that his extraordinarily inventive stance can truly be comprehended. Crone and Moos trace the close relationship between Malevich's practice and other contemporary non-political revolutions in physics, linguistics and poetry. They present Malevich as a uniquely creative artist, embodying in his work many of the insights and discoveries that define the twentieth century and the condition of modern life.

Kazimir Malevich and the Art of Geometry

Kazimir Malevich and the Art of Geometry
Author: John Milner
Publsiher: Yale University Press
Total Pages: 237
Release: 1996-01-01
Genre: Art
ISBN: 0300064179

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The Non objective World

The Non objective World
Author: Kazimir Severinovich Malevich
Publsiher: Unknown
Total Pages: 102
Release: 1959
Genre: Art, Modern
ISBN: UOM:39015014100203

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Delphi Complete Paintings of Kazimir Malevich Illustrated

Delphi Complete Paintings of Kazimir Malevich  Illustrated
Author: Kazimir Malevich
Publsiher: Delphi Classics
Total Pages: 1714
Release: 2020-12-13
Genre: Art
ISBN: 9781913487447

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The work of the Russian modernist Kazimir Malevich had a profound influence on the development of abstract art in the twentieth century. He developed his own art movement, Suprematism, which sought a form of expression away from the world of natural forms and subject matter, accessing the supremacy of pure feeling and spirituality. Malevich worked in a variety of styles, assimilating the movements of Impressionism, Symbolism, Fauvism and Cubism. Gradually simplifying his style, he developed an approach consisting of pure geometric forms and their relationships to one another, set against minimal backgrounds. Many art historians now regard Malevich as the first prominent artist to exhibit paintings composed entirely of abstract geometrical elements. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Malevich’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Kazimir Malevich – over 300 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Malevich’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Easily locate the artworks you wish to view * Includes a wide selection of Malevich’s drawings and posters – explore the artist’s varied works Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights Landscape with Yellow House (1904) Self Portrait (1909) On the Boulevard (1911) The Mower (1912) Woman with Water Pails (1913) The Knife Grinder (1913) Samovar (1913) Lamp (1914) Black Square (1915) Airplane Flying (1915) Supremus No. 57(1915) Suprematist Composition: White on White (1918) To the Harvest (1927) Unemployed Girl (1930) The Athletes (1931) The Artist (1933) The Paintings The Complete Paintings Alphabetical List of Paintings The Drawings List of Drawings Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set

Kazimir Malevich

Kazimir Malevich
Author: Kazimir Malevich,Simon Bayer,Britta Dumpelmann
Publsiher: Hatje Cantz Pub
Total Pages: 216
Release: 2014-03-17
Genre: Art
ISBN: 3775737316

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This is a presentation of the work of Kazimir Malevich.

Kazimir Malevich

Kazimir Malevich
Author: Yekaterina Andreeva
Publsiher: Unknown
Total Pages: 88
Release: 2018-06
Genre: Art
ISBN: 5912083381

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Malevich's Black Square heralded the triumph of non-objectivity, when there was nothing left to destroy in the figurative form and the object lost its materiality. This canvas, shown at the "Last Futurist Exhibition of Paintings 0.10" in Petrograd in December 1915, embodied its creator's conception of "the zero of form", the beginning and the end of everything. The artist repeated the famous composition, which undoubtedly became an icon of 20th century painting. The Hermitage has a version dated ca. 1930, it was formerly kept in the collection of the Malevich family.

Black Square

Black Square
Author: Aleksandra Shatskikh
Publsiher: Yale University Press
Total Pages: 240
Release: 2012-11-27
Genre: Art
ISBN: 9780300162295

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Kazimir Malevich’s painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich’s contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art—which he called Suprematism—and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Malevich devoted his entire life to explicating Black Square's meanings. This process engendered a great legacy: the original abstract movement in painting and its theoretical grounding; philosophical treatises; architectural models; new art pedagogy; innovative approaches to theater, music, and poetry; and the creation of a new visual environment through the introduction of decorative applied designs. All of this together spoke to the tremendous potential for innovative shape and thought formation concentrated in Black Square. To this day, many circumstances and events of the origins of Suprematism have remained obscure and have sprouted arbitrary interpretations and fictions. Close study of archival materials and testimonies of contemporaries synchronous to the events described has allowed this author to establish the true genesis of Suprematism and its principal painting.

Kazimir Malevich and the Russian Avant garde

Kazimir Malevich and the Russian Avant garde
Author: Kazimir Malevitj,Sophie Tates,Linda S. Boersma
Publsiher: Walther Konig
Total Pages: 240
Release: 2013
Genre: Art
ISBN: 3863354206

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Best known for his purely abstract work, Malevich was inspired by diverse art movements of his day. It will be surprising to many to recognize those influences in the work of Malevich: the light touches of Impressionism, the spirituality of Symbolism, Fauvism and exotic colored geometric cubism and primitivism next to futuristic dynamism. In the exhibition we follow Malevich's development to his 'own' Suprematism, as he established in paintings, spatial 'arkhitektons' and designs for opera and film. Attention is also paid to the figurative works from the period, which in the West initially were not valued, partly because they were totally unknown. The Khardzhiev and Costakis collections provide a context for this varied oeuvre by including many works by Malevich's fellow artists of the Russian avant-garde. Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (19.10.2013-02.02.2014) / Bundeskunsthalle, Bonn, Germany (12.03.-21.06.2014) / Tate Modern, London, UK (17.07.-26.10.2014).

Malevich and Film

Malevich and Film
Author: Margarita Tupitsyn,Kazimir Severinovich Malevich,Viktor Tupit͡syn
Publsiher: Yale University Press
Total Pages: 173
Release: 2002
Genre: Art
ISBN: 9780300094596

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Russian Painter Kazimir Malevich (1878-1935), unlike other prominent Soviet artists, has not been much considered in discussions of the contributions of the avant-garde to photography and film. Yet a close examination of theoretical and practical aspects of Malevich's oeuvre not only places him fully in the Soviet post-abstract discourse on these media but also, as Margarita Tupitsyn argues in this book, alters the accepted view of his post-Suprematist period. Exploring Malevich's involvement with film for the first time, Tupitsyn draws on little-known writings about cinema by the artist himself, newly accessible works, and many previously unpublished photographs and documents. Malevich's influence on twentieth-century art extends far more widely than has been claimed for him before, the author concludes. The book begins with a re-evaluation of Malevich's most famous painting, Black Square, a work whose meaning and function was in constant flux. Through Black Square Malevich began to cross the bridge from the painting medium to mechanically generated production, ultimately influencing the post-revolutionary phase of his Suprematism and leading to his abandonment of abstraction in the late 1920s. Tupitsyn discusses in detail Malevich's writing about the cinema, the cinematic qualities of some of his works, the work of other contemporary artists with bonds to cinematography, and the significant impact of Malevich's thought and work on Russian, European, and American artists of the 1920s and 1930s as well as the post-war period. This book is the catalogue for an exhibition that opens in Lisbon at the Fundacao Centro Cultural de Belem in May 2002, then travels to Spain.

Kazimir Malevich

Kazimir Malevich
Author: Alison Hilton
Publsiher: Rizzoli International Publications
Total Pages: 24
Release: 1992
Genre: Artists
ISBN: UVA:X002314778

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Briefly describes Malevich's life and career, shows sixteen of his major paintings, and includes comments on their composition.

Black and White

Black and White
Author: Andrei B. Nakov,Kazimir Severinovich Malevich
Publsiher: Steidl / Edition7L
Total Pages: 127
Release: 2009
Genre: Art
ISBN: 3865212999

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Essay by Andrei Nakov. Preface Lars Nittve.

Author: Kazimir Severinovich Malevich
Publsiher: Potemkinpress
Total Pages: 246
Release: 2002
Genre: Performing Arts
ISBN: STANFORD:36105112788703

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Kazimir Malevich (1878-1935), was the proponent of pure abstraction in painting. In 1929 he wrote several articles on film. The texts by the man who created the "black square" are assembled in this volume, and are translated into German for the first time.

Kazimir Malevich

Kazimir Malevich
Author: Kazimir Severinovich Malevich
Publsiher: Unknown
Total Pages: 35
Release: 1997
Genre: Electronic Book
ISBN: UCSD:31822034429407

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Malevich and Interwar Modernism

Malevich and Interwar Modernism
Author: Éva Forgács
Publsiher: Bloomsbury Publishing
Total Pages: 304
Release: 2022-01-13
Genre: Art
ISBN: 9781350204195

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This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe. It is unusual to discuss interwar modernism and its postwar survival, but this book's chapters work together to argue that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation. Forgács supports her theory with newly found and newly interpreted documents that prove how this exciting legacy was shaped by three major agents: Malevich, Lissitzsky and van Doesburg. She offers a wider interpretation of modernism that examines its postwar significance, reception and history up until the emergence of the New Left in 1956 and the seismic events of 1968.

Kazimir Malevich and the Sacred Russian Icons

Kazimir Malevich and the Sacred Russian Icons
Author: Kazimir Severinovich Malevich,Giorgio Cortenova
Publsiher: Mondadori Electa
Total Pages: 261
Release: 2000
Genre: Art
ISBN: UOM:39015049527149

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