The Unwomanly Face Of War

A long-awaited English translation of the groundbreaking oral history of women in World War II across Europe and Russia—from the winner of the Nobel Prize in Literature NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • The Guardian • NPR • The Economist • Milwaukee Journal Sentinel • Kirkus Reviews For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten. Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories. Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. THE WINNER OF THE NOBEL PRIZE IN LITERATURE “for her polyphonic writings, a monument to suffering and courage in our time.” “A landmark.”—Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century “An astonishing book, harrowing and life-affirming . . . It deserves the widest possible readership.”—Paula Hawkins, author of The Girl on the Train “Alexievich has gained probably the world’s deepest, most eloquent understanding of the post-Soviet condition. . . . [She] has consistently chronicled that which has been intentionally forgotten.”—Masha Gessen, National Book Award–winning author of The Future Is History

"This book is a confession, a document and a record of people's memory. More than 200 women speak in it, describing how young girls, who dreamed of becoming brides, became soldiers in 1941. More than 500,000 Soviet women participated on a par with men in the Second World War, the most terrible war of the 20th century. Women not only rescued and bandaged the wounded but also fires a sniper's rifle, blew up bridges, went reconnoitering and killed... They killed the enemy who, with unprecedented cruelty, had attacked their land, their homes and their children. Soviet writer of Byelorussia, Svetlana Alexiyevich spent four years working on the book, visiting over 100 cities and towns, settlements and villages and recording the stories and reminiscences of women war veterans. The soviet press called the book 'a vivid reporting of events long past, which affected the destiny of the nation as a whole.' The most important thing about the book is not so much the front-line episodes as women's heart-rending experiences in the war. Through their testimony the past makes an impassioned appeal to the present, denouncing yesterday's and today's fascism..."--

A powerful portrait of the personal consequences of war as seen through the innocent eyes of children, from a Nobel Prize-winning writer. Nobel Prize-winning writer Svetlana Alexievich delves into the traumatic memories of children who were separated from their parents during World War II--most of them never to be reunited--in this this young adult adaptation of her acclaimed nonfiction "masterpiece" (The Guardian), Last Witnesses: An Oral History of the Children of WWII. The personal narratives told by those who were children during WWII and survived harrowing experiences, are astounding. So many children were separated from their loved ones in the midst of the terror and chaos. As a result, some grew up in orphanages or were raised by grandparents or extended family; others were taken in and cared for by strangers who risked punishment for such acts. Still others lived on their own or became underage soldiers. Forthright and riveting, these bravely told oral histories of survival reveal the heart-rending details of life during wartime while reminding us that resilience is possible, no matter the circumstances.

Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? A whole world is hidden from us. Their war remains unknown . . . I want to write the history of that war. A women's history.' In the late 1970s, Svetlana Alexievich set out to write her first book, The Unwomanly Face of War, when she realized that she grew up surrounded by women who had fought in the Second World War but whose stories were absent from official narratives. Travelling thousands of miles, she spent years interviewing hundreds of Soviet women - captains, tank drivers, snipers, pilots, nurses and doctors - who had experienced the war on the front lines, on the home front and in occupied territories. With the dawn of Perestroika, a heavily censored edition came out in 1985 and it became a huge bestseller in the Soviet Union - the first in five books that have established her as the conscience of the twentieth century.

An American fighter pilot doomed to die in Buchenwald but determined to survive. On August 13, 1944, Joe Moser set off on his forty-fourth combat mission over occupied France. Soon, he would join almost 170 other Allied airmen as prisoners in Buchenwald, one of the most notorious and deadly of Nazi concentration camps. Tom Clavin's Lightning Down tells this largely untold and riveting true story. Moser was just twenty-two years old, a farm boy from Washington State who fell in love with flying. During the War he realized his dream of piloting a P-38 Lightning, one of the most effective weapons the Army Air Corps had against the powerful German Luftwaffe. But on that hot August morning he had to bail out of his damaged, burning plane. Captured immediately, Moser’s journey into hell began. Moser and his courageous comrades from England, Canada, New Zealand, and elsewhere endured the most horrific conditions during their imprisonment... until the day the orders were issued by Hitler himself to execute them. Only a most desperate plan would save them. The page-turning momentum of Lightning Down is like that of a thriller, but the stories of imprisoned and brutalized airmen are true and told in unforgettable detail, led by the distinctly American voice of Joe Moser, who prays every day to be reunited with his family. Lightning Down is a can’t-put-it-down inspiring saga of brave men confronting great evil and great odds against survival.

The first history of the Soviet home front experience during World War II and of the civilians who bore the burden of total war and played a critical role in the global victory over fascism. After Hitler's invasion of the Soviet Union in 1941, German troops conquered the heartland of Soviet industry and agriculture and turned the occupied territories into mass killing fields. The country's survival hung in the balance. In Fortress Dark and Stern, Wendy Z. Goldman and Donald Filtzer tell the epic tale of the Soviet home front during World War II. Against the backdrop of the Red Army's early retreats and hard-fought advances after Stalingrad, they present the impact of total war behind the front lines in a chronicle of spirited defense efforts, draconian state directives, teeming black markets, official corruption, and selfless heroism. In one of the greatest wartime feats in history, Soviet workers rapidly evacuated factories, food, and people thousands of miles to the east. After long and dangerous journeys in unheated boxcars, they built a new industrial base beyond the reach of German bombers. As the Soviet state reached the height of its power, imposing military discipline and sending millions of people to work thousands of miles from home, ordinary people withstood starvation, epidemics, and horrific living conditions to supply the front and make the Allied victory possible This book examines the dark and painful war years from a new perspective, telling the stories of evacuees, refugees, teenaged and women workers, runaways from work, prisoners, and deportees. Based on a vast trove of new archival materials, Fortress Dark and Stern reveals a history of suffering, sacrifice, and ultimate triumph largely unknown to Western readers.

At the time of the writing, Pawel was dying of lung cancer. He faced his illness with the same mix of candor, humor and anger as he faced fleeing the Nazis from Berlin to Belgrade, where he, a boy of 14, and his Jewish family were tolerated, but hardly welcome. He became part of the Yugoslav underground movement and eventually emigrated to America, where he joined the Army to fight the fascist plague.

Award-winning writer Katrina Nannestad transports us to Russia and the Great Patriotic War and into the life of Sasha, a soldier at only six years old ... Wood splinters and Mama screams and the nearest soldier seizes her roughly by the arms. My sister pokes her bruised face out from beneath the table and shouts, 'Run, Sasha! Run!' So I run. I run like a rabbit. It's spring, 1942. The sky is blue, the air is warm and sweet with the scent of flowers. And then everything is gone. The flowers, the proud geese, the pretty wooden houses, the friendly neighbours. Only Sasha remains. But one small boy, alone in war-torn Russia, cannot survive. One small boy without a family cannot survive. One small boy without his home cannot survive. What that small boy needs is an army. From the award-winning author of We Are Wolves comes the story of a young boy who becomes a soldier at six, fighting in the only way he can -- with love. But is love ever enough when the world is at war? AWARDS Winner - The Indie Book Awards 2022 (Children's) Shortlisted - CBCA 2022 (Younger Reader's Book) Shortlisted - ABA Bookseller's Choice 2022 Book of the Year Awards (Children's) Longlisted - ABIAs 2022 (Book of the Year for Younger Children)

Born into the House of Romanov to the all-powerful Peter the Great and Catherine I, beautiful Tsarevna Elizabeth is the envy of the Russian empire. Insulated by luxury and free from the burden of statecraft with her younger brother in line to take the throne after Tsar Peter, Elizabeth is seemingly born to pursue her passions. However, following a string of untimely deaths, including her father who dies without naming his successor, Elizabeth's idyllic world on the sprawling royal estate is shaken. By her twenties she is penniless and powerless, and under threat from Peter's would-be heirs. Elizabeth must decide whether she is willing to take up her role as Russia's ruler, even if pursuing the throne requires the greatest sacrifice of them all.

Strength and Goodness (Force-Bonté) by Bakary Diallo is one of the only memoirs of World War I ever written or published by an African. It remains a pioneering work of African literature as well as a unique and invaluable historical document about colonialism and Africa’s role in the Great War. Lamine Senghor’s The Rape of a Country (La Violation d’un pays) is another pioneering French work by a Senegalese veteran of World War I, but one that offers a stark contrast to Strength and Goodness. Both are made available for the first time in English in this edition, complete with a glossary of terms and a general historical introduction. The centennial of World War I is an ideal moment to present Strength and Goodness and The Rape of a Country to a wider, English-reading public. Until recently, Africa's role in the war has been neglected by historians and largely forgotten by the general public. Euro-centric versions of the war still predominate in popular culture, Many historians, however, now insist that African participation in the 1914-18 War is a large part of what made that conflict a world war.

For Elizabeth Boyle 2020 began with the death of her beloved father. It was also the year she turned 40 and came to the end of (yet another) relationship. And it was a plague year - something that, as a medieval historian, she understood deeply. The extraordinary collision of personal and professional got her thinking about how the lives and loves of those who lived in the Middle Ages had much to say about her own life and about our present moment. Fierce Appetites is Elizabeth's enthralling account of 2020, a year like no other. Writing a chapter a month, she navigates experiences that are raw and urgent - grief; addiction; family breakdown; the complexities of motherhood, love and sex; memory; class; education; travel (and staying put) - and uses her astounding knowledge of the past to offer insights, consolation and hope for the future. Fierce Appetites is an exhilarating and original journey through the mind and heart of an extraordinary scholar.

The award-winning, #1 internationally bestselling new novel by the author of The Perfect Nanny that “lays bare women’s intimate, lacerating experience of war” (The New York Times Book Review) After World War II, Mathilde leaves France for Morocco to be with her husband, whom she met while he was fighting for the French army. A spirited young woman, she now finds herself a farmer’s wife, her vitality sapped by the isolation, the harsh climate, and the mistrust she inspires as a foreigner. But she refuses to be subjugated or confined to her role as mother of a growing family. As tensions mount between the Moroccans and the French colonists, Mathilde’s fierce desire for autonomy parallels her adopted country’s fight for independence in this lush and transporting novel about race, resilience, and women’s empowerment.

The long-awaited first biography of W. G. Sebald 'The best biography I have read in years' Philippe Sands 'Spectacular' Observer 'A remarkable portrait' Guardian W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile. The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.

Beginning in 1942, with the Eastern Front having claimed the lives of several million Soviet soldiers, Stalin's Red Army began drafting tens of thousands of women, most of them in their teens or early twenties, to defend against the Nazi invasion. Some volunteered, but most were given no choice, in particular about whether to become a sniper or to fill some other combat role. After a few months of brutal training, the female snipers were issued with high-powered rifles and sent to the front. Almost without exception, their first kill came as a great shock, and changed them forever. But as the number of kills grew, many snipers became addicted to their new profession, some to the point of becoming depressed if a "hunt" proved fruitless. Accounts from the veterans of the female sniper corps include vivid descriptions of the close bonds they formed with their fellow soldiers, but also the many hardships and deprivations they faced: days and days in a trench without enough food, water, or rest, their lives constantly at risk from the enemy and from the cold; burying their friends, most of them yet to leave their teenage years; or the frequent sexual harassment by male officers. Although many of these young women were killed, often on their first day of combat, the majority returned from the front, only to face the usual constellation of trials with which every war veteran is familiar. Some continued their studies, but most were forced to work, even as they also started families or struggled to adjust to life as single parents. Nearly all of them were still in their early twenties, and despite the physical and mental scars left by the war, they had no time for complaints as the Soviet Union rebuilt following the war. Drawing on original interviews, diaries, and previously unpublished archival material, historian Lyuba Vinogradova has produced an unparalleled quilt of first-person narratives about these women's lives. This fascinating document brings the realities and hardships faced by the Red Army's female sniper corps to life, shedding light on a little-known aspect of the Soviet Union's struggles against Hitler's war machine.

This collection of pithy, brilliantly acerbic pieces is a companion to Sixty Stories, Barthelme's earlier retrospective volume. Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.